The Davistown Annual Art Exhibition.
Included in our permanent collection are Phil Barter's Gas tanks,
Libby Mitchell's Dog Tweed (upper right,) Melita Westerlund's Medusa
series III, seen in the center of this photo on the stage floor and
Louise Nevelson's wood sculpture used as the base of Melita Westerlund's Target.
Note the Milton Avery landscape in the upper right corner of the photo.
This study was painted by Milton during the summer of 1945 while he summered
in Vermont and shows his experimentation with simplified color forms -
a prelude to his later color field masterpieces. This painting is
on long term loan to the Museum. Visitors please note that the central floor area of the Museum, which is covered by a spar varnished map of Norumbega, can be utilized for meetings, dances and movies. We have 75 chairs in storage that can be quickly assembled for movie night. |
 2000 |
 © Phil Rogers 2002 |
Close-up views of the contemporary installations on the
front stage.  © Phil Rogers 2002 |
 © Phil Rogers 2002 |
|
 2001 The interior of case L includes boxes by Abby Read and mezzotints by Kathleen Kelly. |
 2001 Several pieces by the mysterious "fuselage artist". |
 © Phil Rogers 2002 This penny-farthing bicycle has a Maine provenance and appears to have been made between 1925 and 1950. Above it is Virginia Goolkasian's Mother and Child. |
 2001 A sample of the Museum's growing collection of ADR: accidental durable remnants: work in progress. |
 2001 A view of the entrance to the Museum. The main desk can be seen on the right side of the photos and includes our new computer; the door to the entrance to the main hall is on the far right. The Virginia Goolkasian show is hung on the wall behind the main desk. |
 2001 Mike Beaudry at the main desk. |
 © Phil Rogers 2002 The very popular unidentified tool section. Visitors are encouraged to write down their opinions on the identity and use of these tools. More ADR are above the unidentified tools. |
 2001 We also offer some inviting chairs for those tired from the hike up to the fourth floor and back. Note Liberty artist Alan Crichton's Swim above the bulletin board. Installed sideways to fit, it's now titled Swim Sideways. Joe Ascrizzi's Heavenly Madonnas is to its right. |
